One of the most exciting parts of StarDaze each year is the entertainment and part of what makes it so great is that it is completely free of charge.  You bring a chair and we will bring the fun.  The 2010 feature entertainment was Saving Abel, Brantley Gilbert, Taddy Porter, and Buddy Jewell.  In 2011 we were honored to have Jack Ingram, Bucky Covington, The Lacs, JB and the Moonshine Band, CashBox.  2012 was a blow-out with Lee Brice, Jared Blake, Lauren Bryant, JJ Lawhorn, Matt Stillwell, Big Shane Thornton, Julie Roberts, and Joey Hyde. 2013 was awesome with Kix Brooks, Ben Coulter, Aaron Parker, Steel Magnolia, Phantom VI, Cheryl LuQuire, Big SMO, and Blackberry Smoke. Last years entertainment was Jawga Boys, The LACS, Twang and Round, Dylan Scott, Drew Baldridge, A Thousand Horses,  Parmalee, and Dustin Lynch. Start making your plans now to join us this year in Star City, AR for StarDaze 2015. We will be looking for you!



How does a country boy from tiny Bilboa, North Carolina find himself an apprentice to one of the greatest songwriters in country music? Ever heard of Bilboa? Yes, it’s that small. But you’ve heard of Harlan Howard, right? “I Fall to Pieces?” THAT Harlan Howard.

Brian Davis isn’t one to push himself or his music on someone. It just isn’t his style. Fortunately, what is his style is writing great rockers and party anthems full of hot screaming guitar, booming bass and thumping drums. Sometimes.

On the other hand, his style is also writing emotive ballads laden with picturesque lyrics that twist and turn phrases to carry the listener on a musical journey of their own or Brian’s life. Those…those are best interpreted by Brian’s pure masculine baritone and an acoustic guitar.

So, it’s really not a case of having to force himself on anyone. It’s more like, “If you build it, they will come.” If you write great songs, make great music and sing from your heart, they will come. And they have most definitely come. From playing all over his home state of North Carolina, to opening for pal and frequent co-writer Brantley Gilbert on the Hell On Wheels tour—last year and this year, Brian has taken his brand of rockin’ country music from a regional to a national level. His Tarheel fans are sitting back enjoying knowing that they saw the evolution of one of the hottest new artists in the format, while new fans are digging voraciously into his catalog that is already six albums deep.

Almost as if he could forecast the future when he recorded it, his newest album, Under the Influence, is almost a musical biography of Brian – both his life and the evolution of his music. “I’m really proud of it,” he beams. “We managed to put a lot of things that are extremely important to me on this record and tried to kind of balance it out. We’ve got things all the way from ‘Under the Influence,’ which people would assume, based on previous projects, that we were talking about going out and just getting hammered, but it’s not.”

The tune is actually a musical homage to the music that influenced him, and the list is vast and diverse. Early on, his grandfather introduced him to artists like the legendary Gene Autry, while his father exposed him to the contemporaries of his time like Alabama and Hank Williams Junior. Then there was the music of his own youth. “I was a reckless, rebellious redneck, not siding where my mom probably wanted me to a lot of times,” he admits. “I’d find myself listening to your typical AC/DC and Guns & Roses.” The funny thing was, Brian was also discovering and developing a taste for music that was far from mainstream. Artists like Peter Tosh and Bob Marley. “I just love music. I’m just a fan of music.”

But it was more than just loving a great song. For Brian, it also became about creating great music. So, he began to study it and study the process, which was a relatively simple task. “My grandpa played all the honky-tonks where I’m from and my dad did, too,” he says with a smile. “I can remember from the time I was six and seven-years-old I was in honky-tonks.” By the time he was eight, his dad was taking him to gigs and Brian was tuning their guitars. “I was on top of the world,” he says, “because I was tuning guitars for a hero of mine. All I ever wanted to do was be like them because they had that thing. They could walk into a room and pick up a guitar and people would just stop and listen. So, in my head, I was doing something really important.” And although Brian’s mother wasn’t thrilled with her middle child hanging out in honky-tonks, to her credit, she didn’t discourage his pursuit of his passion. While Brian’s dad never chased a national music career, instead choosing to stay close to family, he did write his own music and his son was a sponge observing the process and began writing when he was very young. “The early stuff was terrible,” he laughs. “It was worse than terrible and then it got progressively better. And then when I met Harlan Howard, it got a ton better because I started figuring out how to do it the right way.” Yes, Harlan Howard.

“Harlan Howard was the first person to offer me a publishing deal in town,” he smiles modestly. The story of how it happened is a sweet one:

“I was cleaning horse stalls in Brentwood and Melanie Howard set up a meeting.” Brian showed up with his guitar, but still covered in horse manure, expecting to meet with Melanie. To his surprise, Harlan strolled into the meeting as well. “I was supposed to be with just her and he comes in and she says, ‘If you don’t mind, he’s going to sit in on the meeting.’ And I’m thinking, ‘Oh, F….’ I sit down and he says, ‘What have you got son?’ So I play him the one song. THE song. All of us have THE song. And he smiled and said, ‘What else you got son?’ And I played him a second one. We went four songs deep and after the fourth one he said, ‘Do you want a record deal here, son?’ And I said, ‘Yes I do.’”

The only snag came when Harlan asked him how much money he needed. Brian had never even considered being paid for his doing what came so naturally. When Howard offered him $375 a week, Brian balked saying, “Can I think about that? I don’t know if I need that much?” His humble upbringing and limited knowledge of how the business operated had him thinking that he would have to pay the money back, so he didn’t want to take more than he needed.

Harlan became one of Brian’s greatest mentors in the business, but others followed and Davis learned all that he could from each. “The only thing I’ve been really smart enough to do in my life is listen to people that have been where I’m going,” he says.


Influences that are heard on songs like the raucous “Bang, Bang,” which touts the simple country boy pleasure of shots, whether from a gun or a glass, or in the dark “Another Man’s Woman,” which addresses the dismal destiny of a cheater, or in the simply acoustic love song “Against the World.” And influences that are heard in the crowd-favorite “Lights of My Hometown.” “You see people’s reaction in the crowd and I think everybody, in their mind, goes to someone that they lost,” he says. “It just has so much power. It’s been amazing and the stories we’ve heard are awesome.”

You see, for all of the in-your-face rockers or rebellious party anthems, Brian is one of the sweetest souls on Music Row. He laughs, “I love the excitement when people come up and, it’s not like I’m some amazing person, but they say, ‘Man, I can’t believe it’s you!’ And I say, ‘Well, I can’t believe it’s you!’ I always ask them their name and hug them because they they could have spent their time and money on anything. And the fact that they chose me is massive in my book.  We do this to connect and when you have those kind of moments with people, it makes everything make sense.

Old Dominion may not yet be a household name, but its members are behind many of the songs you hear in country music today. During the past 10 years of writing and honing their sound as a band, a number of their songs have been recorded and released by an impressive list that includes The Band Perry, Keith Urban, Luke Bryan, Dierks Bentley, Chris Young, and Craig Morgan. And while it has been nice to experience radio success as song writers, the band has their scope unwaveringly aimed at delivering their music personally to the people.

Consisting of four Virginians and one Michigander, Old Dominion eventually came together in Nashville, Tennessee. But the seeds were sown years prior in Virginia where a few of the members grew up.

“I had been doing my own thing musically for a while, but I knew Geoff (Sprung- bass) and Whit (Sellers- drums), and I was always a big fan of their band,” says frontman Matt Ramsey. “A few years after I moved to Nashville, they ended up moving here too, so of course it was a natural fit to play together.”

In the fall of 2003, Matt was introduced to another Nashville newcomer, Detroit-area native Trevor Rosen at a songwriter round. The two had immediate musical chemistry, and soon forged a writing partnership that was to lay the foundation of Old Dominion.

“Matt had formed his band with Whit and Geoff, and I found myself jumping up on stage with them quite a bit,” says Rosen. “At one point I said to Matt, ‘I know all your songs and write half of them with you anyway, I should just be in your band’. I said it half-jokingly, and I’m not entirely sure he ever gave his official blessing, but I started showing up and just never stopped.”

The final piece of the puzzle, Brad Tursi (lead guitar) was no stranger at all. Brad had attended James Madison University in Virginia with Geoff and Whit, where their bands crossed paths frequently. When Brad joined Old Dominion in 2012, he brought with him a melodic, hook-driven style of guitar that rounded out the OD sound. It also added another seasoned songwriter into the mix.

Out on the road, the live show is dialed in. Opening for acts like Trace Adkins, Brett Eldridge, and Jake Owen, their sound has tightened into a cohesive blend of country lyric and rock instrumentation, fused with pop and hip-hop sensibilities. It even led to a debut on the world-renowned Grand Ole Opry.

The extensive touring has also helped ease the transition into the studio. Working with Grammy Winning producer Shane McAnally and acclaimed studio veteran Ilya Toshinsky at the helm, Old Dominion is one of the few bands in country music to write, record, and perform all of its own music.

“For us it just made sense to play on the record,” says Tursi. “We are a band. As a band you really want to try to capture the essence of what you do live on tape, and there’s really only one true way to do that.”

What they’ve captured so far has certainly buzzed a few ears, including that of XM radio programmer John Marks. Marks added their single, “Dirt On A Road” to rotation on Sirius XM’s The Highway in early 2014. The song’s impact with listeners was quickly evident at live shows.

“There’s nothing like playing a song you’ve written and watching the
 crowd sing the words back to you,” says Ramsey. “We’ve experienced it a bit when we play ‘Wake Up Lovin’ You’ or ‘Better Dig Two’ and that’s great, but it’s that much sweeter when we are the artist releasing the song.”


Music defines Chase Bryant. At every level and in often unexpected ways, his truths are expressed in melody, lyrics, hooks and sounds ... but his reality goes even deeper than that. Bryant's heritage is defined by music. His upbringing, his craft, his inspiration and his obsessions are all centered in the same - which is good - because there's no other way to explain how a 22-year-old Texan could already be a top-flight guitar player, head-turning songwriter, RED BOW recording artist and co-producer of his debut album.

            Bryant focuses his muse on the commonalities people share. "We all have a destination," he says. "We all have dreams we want to follow. I’m no different than anybody else, I just sing about it. It's my job to put the party on and give people a good reason to have fun." And that he does, whether it's in the soaring groove of "Summertime Saturday High," the sparkling "Fire,” unabashed romanticism of "Change Your Name” or the vocally-charged, guitar-shredding debut single “Take It On Back.”

            Raised in Orange Grove, TX (pop. 1,200), Bryant's grandfather played piano in Roy Orbison’s first two bands and, later, for Waylon Jennings. His uncles co-founded the group Ricochet, which had several hits in the '90s. "From the time I was a kid, the only thing I wanted to do was play music," he says.

            "I was two or three years old and heard Jerry Lee Lewis’ 'Lewis Boogie' come on my grandfather’s record player. I remember hearing him say, 'My name is Jerry Lee Lewis and I’m from Louisiana' ... and I had an identity crisis! I thought I was Jerry Lee and would walk around saying that. In school, I was the odd kid. There were 20 guitars in town and I owned all of them."

            Conway Twitty, Merle Haggard, Tom Petty, Vince Gill, Bob Wills, Steve Wariner, Bryan Adams and more were early influences, but a confluence of releases brought him to a turning point. "Keith Urban's Love, Pain & The Whole Crazy Thing and records by Sarah Buxton and Jedd Hughes did it," he says. "I knew I wanted to play mainstream country – I always knew. But those records told me that I could be that and still write guitar riffs that would stick in somebody’s head."

            "I never wanted to be anybody else," he says. "My grandfather always told me ‘you can't be good at being anybody else. You can only be good at being yourself.’ "

            Songwriting was an integral part of his development. "It goes back, of course, to getting my heart broken in school," he says. "Some girl broke up with me – I may have been 11 or 12, and I just wrote it down. I was never great at reading, but I liked words, phrases and sentences. The only way I knew to let people know me is through writing. I'd just look at my life, grab some paper and put it down.

            "The other thing I'd do is have melodies playing in my head. Something would pop up and I'd just go, 'There it is.' " Encouraged by his parents, particularly his school-teacher mother, he graduated early and moved west. "All I wanted to do was play music and Los Angeles was my first attempt," Bryant says. "Somebody asked me to go out there and write for this little company and I took the first flight. The dream was that simple, but you can't stop before the miracle happens. You have to keep going. And I feel like it was a miracle just making it out of Orange Grove. I loved L.A., but Nashville is where I wanted to come. I probably wrote 400 lousy songs before I wrote my first good one. But one good one was enough to get Nashville managers, pluggers and publishers on board."

            Because of his Roy Orbison connection, someone suggested a meeting with Roy's widow, the late Barbara Orbison, a prominent Nashville publisher, who signed Bryant on the spot, making him her final signing before she passed.  

            That road led Bryant to BBR Music Group imprint Red Bow Records, to which he signed in August 2013.  During one early meeting, Founder Benny Brown, notoriously picky about working with producers, surprised Bryant. "He'd listen to my demos and say, 'Where did you cut that?' or 'Who produced that?' And I'd always say, 'In my closet. Cut it myself. Played it myself.'  Benny trusted me enough to co-produce with Derek George (Randy Houser, Joe Nichols). He gave me the reins, which was something I always wanted."

            Brown's confidence was noteworthy if for no other reason than the fact that Bryant is completely self-taught as a producer. "There were no studios in Orange Grove," Bryant explains. "My parents took me to a Guitar Center and let me get what I needed. From there, I started building little tracks that I would listen to in the car and compare with what I heard on the radio. I taught myself how to make stuff sound bigger and better.”

            Despite being on the cusp of exceptional achievement for someone so young (having recently been named one of “The Best Things We Saw at CMA Music Fest 2014” by Rolling Stone) Bryant sees little difference between himself and the audience. "We're all fans," he says. "We're all friends. And the music is our connection. To me, it's a lifelong relationship and we'll all get where we're going together. That's the beauty of music. This is the first chapter of my book, and I think people will find it defines where they're at just as much as it defines where I'm at -- because we're the same – I'm just the guy with the guitar. If I wasn't, I'd be the guy on the front row with his arm around his girl raising a glass to the guy onstage. No question. It's just who I am. Music is everything."


Lower 40, is one of the Southwest’s fastest rising bands. The group’s members – Kyle Earhart, Zach Felts, Sherman Haynes, Michael Lloyd, and Nick Work – share their new age country with a little bit of southern rock, their tight harmonies have garnered national attention and have led them to be compared to great artist such as The Eagles, Zac Brown Band, Ricochet, Diamond Rio, Restless Heart and even a red dirt version of Boston.

The band’s original music, lyrics, tight harmonies, and entertaining style and strong work ethic, combined with musical talent, have made them one of Oklahoma’s most sought after bands. Lower 40 was voted one of CMA’s 2012 “Who New to Watch” and has opened directly for Sammy Hagar, Scotty McCreery, Joe Nichols, Easton Corbin, Kyle Park, Thomas Rhett, Tracy Lawrence, Wade Bowen, Stoney LaRue, and many more.

Their freshman single “Call Me Crazy” hit radio September 2013 and stayed on the Texas Regional Radio Charts for 25 weeks reaching the Top 30. This was followed up by their 2nd single “My Country,” which was released April 2014 and quickly hit the Top 40. Their 3rd single "Shot in the Dark" hit radio October 2014.

Lower 40 was honored in May 2014 for their charitable work, by the Oklahoma House of Representatives with a special citation proclaiming May 7th Lower 40 Day in Oklahoma.

People believe in Kristen Kelly. Candid and down to earth, with a room-filling smile and a voice that echoes the heart of what she sings, Kristen laughs as she describes her music as “a little more grease than polish.” And that grease is an exciting mix, distilled from her country, blues, and classic rock influences into a passionate, playful, often sexy, and always heartfelt reflection of real life as she knows it. Be on the lookout for her new single “Kiss By Kiss” available May 2014.

“I have a hard time singing or writing about something I can’t relate to,” she says, and that philosophy is front and center on her Arista Nashville self-titled EP, co-produced by nine-time CMA Award-winning producer Tony Brown and two-time GRAMMY®-winning songwriter Paul Overstreet. “Paul got the ball rolling,” Kristen says. A chance meeting at a 2010 benefit concert impressed Overstreet enough to invite her to write with him, sparking a chain of events that ultimately led to her record deal. But Kristen was far from an “overnight” discovery.

Born in Waco, Texas, Kristen Kelly grew up in the country, living on 10 acres in small-town Lorena, Texas. “You blink, you miss it,” she smiles. She credits her outdoorsy, adventurous spirit in adult life to those days of “simple country living.”

She sang in talent shows and high school choir, and by middle school had taken an interest in poetry, beginning the foundation for the songwriting that would emerge years later. “I grew up in love with music,” Kristen recalls. Her late grandfather, Sterling Kelly, was a country musician – “I still have 45s of him and his band” – while her dad helped instill her affinity for classic rock, as well as her determination. “He’s a simple, hard-working man who never quits – and I think that’s where I get some of my ‘workaholic’ from is him.” Along the way, she adds, “I fell in love with the blues.”

While bartending in 2001, an impromptu performance earned Kristen an on-the-spot invitation to sing with a regional classic-rock cover band. That night launched a three-year part-time gig with the band as she moved closer to a life in music, co-writing her first song (“Down in Flames” with Brandon Jenkins and Stoney LaRue) in 2004, the same year she began a two-year music degree at Waco’s McLennan Community College.

In her final semester, a friend asked her to sing harmony on songs he was recording. They began writing and recording with Kristen on lead vocals, as well, resulting in their self-released album, The Highway Is My Home, as Modern Day Drifters. Initially a duo, they added a few players to flesh-out their live sound, and the act earned airplay and acclaim around Texas. But with the departure of her original partner in late 2008, Kristen took the reins and recorded her debut under the banner Kristen Kelly & The Modern Day Drifters, producing all but one song on 2010’s independent Placekeeper.

Her musical style embraces influences ranging from Fleetwood Mac, The Eagles, and Bob Seger to singer/songwriter Patty Griffin to the blues and soul of Ray Charles, Susan Tedeschi, and Bonnie Raitt, while her country roots were shaped in part by the sounds of the ‘80s and ‘90s. “I grew up listening to The Judds and Reba and George Strait and Willie Nelson,” she says, adding that her biggest influence is Merle Haggard.

“I think I’m such a big fan of Merle Haggard’s music and his songwriting because it’s simple. I’ve always believed that country music was three chords and the truth, and that’s more or less what he did – and what all the great blues musicians did.”

Kristen mines her own truth with a lighthearted look at love gone awry on the groove-filled “Ex-Old Man” and “Drink Myself Out Of Love.” Both songs which she co-wrote with Overstreet. The strength and passion of her delivery further shine on the soulfully sexy “He Loves to Make Me Cry,” which she wrote with Overstreet and Even Stevens. Kristen teamed up with hit songwriters Monty Criswell and Shane Minor to pen the love song “Miss Me,” where the influence and her love for Classic Rock is very apparent to round out her Arista Nashville, self-titled EP.

"I’m a happy person," Kristen offers, "but what I write has a lot of angst and realness to it; whether it’s something that I’ve personally experienced or somebody close to me has experienced. To be able to give voice to all the different emotions I have felt and continue to feel is part of my music. I have faith that God doesn’t give you anything you can’t handle and what we are given helps shape who we are.”

Faith is at the heart of Kristen Kelly, and it’s visible on the inside of her right wrist, with a tattoo of the word “Believe” that she designed herself. Kristen recently launched her new line “Believe by Kristen Kelly”TM on April 22, 2014. The line is currently featured in the May 12, 2014 issue of Country Weekly. 15% of all sales from her Believe line goes to survivors of domestic and sexual violence.

“If you’ve got a dream, keep dreaming,” she says. “Dreams do come true. BELIEVE.”

Passionate and Powerful- two words that describe Jared Blake and his music. He brings his deep vocals and emotional delivery to every performance, and he has the same passion for his fans that he has for his music.

He is known to the world as a father of six kids, and he sees it as a natural extension to take care of his fans as well. He doesn't separate his life from his music; it is a blend of family, fans, and friends, whom he has nicknamed “frands.”

Jared Blake was raised on watermelons and rock ‘n roll. Growing up in the small town of Star City, Arkansas, he always had dreams of performing on the big stage. That didn’t stop him from taking his time growing up and learning everything he could about the music business, including songwriting and playing multiple instruments. He realizes that the music industry is forever changing, and he likes to change and grow with it. He landed his first break with the industry giant Sony/ATV and Bob DiPiero’s Love Monkey Music, as a songwriter for the nation’s largest publishing group.

Jared would be the first one to tell you, “The second I think I know what’s going on, it all turns upside down again.” He also says that’s what keeps him writing, dreaming, working, and just being himself. That same willingness to keep going, even into the unknown, is what landed him on national television.

In 2011, Jared found himself on a new adventure, appearing on what turned out to be a #1 rated show on NBC, The Voice. Landing on Blake Shelton’s team to guide him, he did what any regular ol’ country boy would do-he rocked it. He was just as happy on stage alone with his acoustic guitar, with 14-million viewers watching him sing “Not Ready To Make Nice” by the Dixie Chicks, as he was performing the rock tune “Use Somebody” by Kings of Leon, in a guitar-throwing, full-out passionate display. All of his performances have appeared in the charts worldwide more than 56 times and reaching as high as #16 on the iTunes charts. Jared was featured in magazines such as People and Rolling Stone, on television morning shows, and on radio stations syndicated across the nation.

 His time on NBC’s The Voice garnered him lots of attention and many new fans. He began a national acoustic tour when the last week of the show was airing, promoting a single his fans picked called “Don’t Mind.” That tune won grassroots radio airplay in several areas, and gave Jared the ability to start touring with his band.

In June of 2012, Jared was offered a recording deal with Skiddco Music, with Grammy award-winning producer, Skidd Mills. In July of 2013, Jared signed a new publishing contract with Lucky Diamond Music. Also in 2013, country music artist Curtis Grimes cut “Home to Me,” a song co-written by Blake, Grimes, and Willmon, which hit #1 on the Texas Music Charts.

That same year, he released his first single to Music Row reporting stations, "Countryfied", which reached #66 on the reported charts. Following the like-named tour, he created his own mini-festivals at local campgrounds across the US, where Jared and his band bring free concerts to all ages in an effort called, Bringing Families Together that continues to this day.

Immediately after returning from that tour, he recorded his next release, "Stomp". The single was heard by John Marks (Sirius XM The Highway) and set for exclusive release while Jared was still in the works of recording the video for the song. Jared claimed, "It was like the heavens opened up, and for some reason I was the one who was blessed that day. It was just an email, but it felt that good to know something you had so much fun and work into creating would get the mass attention of Sirius XM." His continued mix of humor and gratitude was felt each week as his song continued to play on the station and eventually host their "On The Horizon" program.

Stomp also received exclusive attention from Zuus Country television for its video, and was later released to VEVO. The song gained support from radio stations everywhere, and climbed to no. 55 on the charts.

Jared Blake spent years being told he has “the voice,” and he has lent his unique sound to voice over work in the demo world for artists and to the weekly syndicated broadcast of CT40 with Bob Kingsley.

 Jared Blake's concentration to his fans and staying on the road remains his focus, show-after-show, and into the wee hours of the morning. His sound has been compared to Bob Segar and Travis Tritt mixed with a little Chris Daughtry. There’s no doubt Jared has one of the most powerful voices to hit the country scene, and once heard, it’s never forgotten. His distinct sound is what helps make his name stick and keeps his fans coming back for more. His shows are filled with energy and have been described as an emotional roller coaster. The no-frills production is enough to entertain any crowd. Jared has played with artists like Lee Brice, Thompson Square, The Band Perry, John Rich, and Randy Houser. He has headlined or opened for events like The Lonestar Rally, Sturgis Bike Rally, Country USA, and many more.

“The joke with my road crew is that I’m like a 5­ year­ old,” says Blake, “and I think that’s why we all keep going and laughing the whole way. There’s no one playing the ‘poor me’ card for all the hard work we do. We know everyone out there is working hard, and some guys are even fighting and dying so we can keep doing what we do, so for that alone, there’s no complaining. I couldn’t do any other job on the planet, so I owe my life to the music fans of the world!”

Jared’s debut EP Til Morning Light was released along with the music video for his single Stomp in October 2014. The video was picked up by VEVO and the single ran on NBC’s The Today Show with Kathie Lee and Hoda in November 2014.

Joining Jared’s team are managers Cory Gierman and Jennifer Rachidi. Gierman is known as one of the Godfathers of MuzikMafia, which was responsible for the birth and early feeding of country acts like Big & Rich and Gretchen Wilson. Jennifer Rachidi moved to Nashville in 2009 after working in production for mega­seminars in arenas nationwide. She started her company, The M3 Agency, to focus on music and entertainment business development.



Outshyne is a country band who hails from South Carolina. Their music has a country feel with rock overtones. Originally formed in 2007, of high school friends playing after work. In 2010 they turned their passion for music into a full time endeavor, doing 150-180 dates a year. Since then their success keeps growing!

They have opened for country music superstars including, Jake Owen, Eric Church, Lee Brice, Colt Ford, Joe Nichols, Gary Allen, and Justin Moore to name a few, Waylon sang the National Anthem at the Nascar Sprint Cup in Darlington, SC in 2013, raised over $130,000 for Saint Jude Children's Research Hospital, and played on the Hard Rock stage for CMA Fest.

Their first single "Dirt Road Romance", written by friends Florida Georgia Line and Albis Albritton, went to #29 on the Music Row Chart and #46 on the Billboard Indicator Chart. The album titled "Starting Over" was produced by Grammy nominated Chip Matthews and hit song writer Jeffrey Steele, and debuted #11 on iTunes the day it was released.

The bands second single "Moonlight Crush" is currently at #24 on the Music Row Chart and #40 on the Billboard Indicator, and is being played on Sirius/XM "the Highway". The two singles combined have over 100,000 downloads and over 1 million youtube views.

In January, 2014, Outshyne signed with Sony Red, and are featured on CMT's website.


Country music hit-maker Jason Michael Carroll from Youngsville, North Carolina, is gearing up to release his first new single since 2011, “Close Enough.” Additionally, he hits the road this summer with more than 75 tour dates on the books for 2013 and will be releasing a live DVD later this year.

Carroll rose to fame after being discovered at a local talent competition in 2004 and later signed to the Arista Nashville label in 2006, releasing his debut album Waitin’ In The Country that year. The album produced three Top 40 hits including “Alyssa Lies,” “Livin’ Our Love Song,” and “I Can Sleep When I’m Dead” and soared to number one on the US Country charts, selling nearly half a million copies. Both of Carroll’s following albums, Growing Up Is Getting Old and Numbers have charted on the Billboard Top 200.

He has opened for Brooks & Dunn, Trace Adkins, and Alan Jackson, and became part of the 2008 tours of Carrie Underwood and Martina McBride. He was also featured on Good Morning America, thrilled the crowd at the CMA Music Festival, and has played multiple times at the Grand Ole Opry.

Jason Michael Carroll is a consummate songwriter and continues to write and release new material. Carroll remains humble and optimistic about the future, stating, "I don’t take for granted what I'm doing, and I thank God and my fans every day I have the chance to keep doing it."


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